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How the Lunar Scene from Ad Astra Was Made | WIRED

Jedediah Smith, VFX supervisor for Method Studios, describes the painstaking process visual effects artists used to create the moon and lunar rover sequence in Ad Astra. From their innovative use of infrared cameras to their deep archival research to their extensive use of rotoscoping, the effects team employed an array of techniques to balance realism…

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Jedediah Smith, VFX supervisor for Method Studios, describes the painstaking process visual effects artists used to create the moon and lunar rover sequence in Ad Astra. From their innovative use of infrared cameras to their deep archival research to their extensive use of rotoscoping, the effects team employed an array of techniques to balance realism and accuracy.

CORRECTION issued 10/10/2019: the moon has 16.6%, or roughly one-sixth, of the
of the earth’s gravity, not one-third, as stated in the video. (The VFX team did in fact simulate at correct moon gravity, which is 0.166 of Earth gravity.)

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How the Lunar Scene from Ad Astra Was Made | WIRED

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30 Comments

30 Comments

  1. WIRED

    October 10, 2019 at 7:46 pm

    Read more about Ad Astra at WIRED.com:

    • Peter Kosen

      October 14, 2019 at 11:02 pm

      How do you have dust hanging in the “air” on the moon???

    • LEVEL UP1000

      October 21, 2019 at 9:21 am

      Peter Kosen why don’t you just suggest what you want the dust to do on the moon. I mean… obviously you’ve been, right?

  2. John Robie

    October 17, 2019 at 7:42 pm

    Method Studios: “Hey Jedediah, we’re going to interview you on Tuesday, please dress appropriately”.
    Jedediah: “Say no more, I know just the outfit”.

  3. Tony lee

    October 17, 2019 at 9:19 pm

    Lol, It Was Made The Same Way The ‘Real’ Scene Was Made! Way Out In The Mojave Desert.

  4. john jones

    October 18, 2019 at 12:08 am

    Yaaaawwwnnn so they used lots of CGI sooooooo what the film is terrible…

  5. Carlos Mendes

    October 18, 2019 at 3:00 am

    This is going to trigger all the moon landing conspiracies nuts.

  6. Michael Hickie

    October 18, 2019 at 3:54 am

    The acceleration due to gravity on the surface of the Moon is about 1.625 m/s², about 16.6% that on Earth’s surface or 0.166 ɡ.. Wikipedia this guy said a third I think he was confused with Mars. Will watch this movie now though, thanks for this.

    • Michael Hickie

      October 18, 2019 at 3:55 am

      Previously corrected

  7. Cathrin Gustafsson

    October 18, 2019 at 10:00 am

    There are no problems in a studio. Not now. Not in 1970

  8. H.A Akay

    October 18, 2019 at 10:30 am

    Great ! now Moon Landing hoax believers go: “See we told you it was faked “

  9. Jay H

    October 18, 2019 at 3:36 pm

    Similar tricks in 69

  10. AngrybeardUK

    October 18, 2019 at 4:12 pm

    Landing on the Moon was faked. Finally.

  11. Evil Twin

    October 18, 2019 at 6:54 pm

    Cloud of lunar dust hanging in the air….hmmm…anyone see the mistake here?!

    • Dondragmer

      October 20, 2019 at 4:24 am

      Of course. Lots of people did.

  12. raredreamfootage

    October 18, 2019 at 6:55 pm

    2:32 = Philip Bloom?

  13. zproxy

    October 19, 2019 at 9:07 am

    so, they never realized they were looking at fictional footage?

  14. zproxy

    October 19, 2019 at 9:10 am

    4:55 moon gravity is 1/3 or 1/6 of the earth?

    • Dondragmer

      October 20, 2019 at 4:51 am

      1/6.

  15. duber quiceno

    October 20, 2019 at 2:24 am

    El primer abaleo en la luna . 😐

  16. Eerik Karlov

    October 20, 2019 at 7:40 pm

    movie itself is total disappointment! Trailer itself is really appealing, really good SGI, story line is horrible.

  17. Andreo Suro

    October 21, 2019 at 7:57 am

    Круто. Когда в инете появится? Я в деревне у леса живу, зимой делать воще нехер. Хоть норм сци-фи позырить… Марвеловское гавно даже перестали делать :))

  18. Andreo Suro

    October 21, 2019 at 7:58 am

    Даешь больше sci-fi товарищи!!!

  19. Rollo Lothbrok

    October 21, 2019 at 10:12 am

    Sadly, Moon hoaxers and flat Earth morons are going to have a field day with this.

  20. Marcus Gaillard

    October 21, 2019 at 10:36 am

    The Moon is a light in the sky and not a dusty rocky spinning around us. Sorry to burst the bubble. People are waking up to the lies.

  21. Alexandre Oliveira

    October 21, 2019 at 2:56 pm

    if they play something like this on live TV saying they are in Mars even i would believe at first. Great CGI

  22. Olav Gausaker

    October 21, 2019 at 9:44 pm

    It’s amazing how he can say that there is dust in the air and there is no air. Jesus Christ, get a science book.

  23. Mack M

    October 21, 2019 at 11:03 pm

    “dust” falls down as fast as a rock on the moon..

  24. Absolute Best Potato of Them All

    October 22, 2019 at 5:50 am

    The movie had a horrible story

  25. Charles Lo

    October 22, 2019 at 12:56 pm

    anyone knows the name of the soundtrack used in this video at 11:23?

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We Tracked the Secret Police Microphones Hidden Everywhere | WIRED

ShotSpotter microphones are controversial surveillance devices designed to alert authorities to gunshots. But their exact locations have been kept secret from both the public and the police—until now. WIRED obtained leaked documents detailing the locations of over 25,500 of these devices, and what we learned abut how and where they’ve been deployed may surprise you.…

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ShotSpotter microphones are controversial surveillance devices designed to alert authorities to gunshots. But their exact locations have been kept secret from both the public and the police—until now. WIRED obtained leaked documents detailing the locations of over 25,500 of these devices, and what we learned abut how and where they’ve been deployed may surprise you.

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Have data or information you’d like to share with WIRED? You can reach out securely via email at [email protected] or on Signal at dmehro.89

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Production Manager: Peter Brunette
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Sound Mixer: Sean Paulsen
Production Assistant: Ryan Coppola
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What A $250,000 Supercar Jet Ski Feels Like | WIRED

WIRED Luxury Gear Editor Jeremy White visits Shadow Six Racing in Florida to learn about and test drive the Typhoon: a quarter-million-dollar supercar jet ski that blows all competition out of the water—and there are only 8 in the world. Still haven’t subscribed to WIRED on YouTube? ►► Listen to the Get WIRED podcast ►►…

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WIRED Luxury Gear Editor Jeremy White visits Shadow Six Racing in Florida to learn about and test drive the Typhoon: a quarter-million-dollar supercar jet ski that blows all competition out of the water—and there are only 8 in the world.

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Air Crash Investigator Answers Aviation Accident Questions | Tech Support | WIRED

Former National Transportation Safety Board (NTSB) Air Safety Investigator Gregory Feith joins WIRED to answers the internet’s burning questions about aviation accidents. What’s the safest seat on an airplane? How likely are you to be in an aviation accident? At what stage of flight to most accidents occur? Can a flock of birds really bring…

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Former National Transportation Safety Board (NTSB) Air Safety Investigator Gregory Feith joins WIRED to answers the internet’s burning questions about aviation accidents. What’s the safest seat on an airplane? How likely are you to be in an aviation accident? At what stage of flight to most accidents occur? Can a flock of birds really bring down a jet? Why don’t planes have parachutes to prevent crashing? What happens if a window on a plane cracks during flight? And what really happened to Malaysia Airlines Flight 370? Answers to these questions and many more await on Aviation Accident Support.

0:00 Aviation Accident Support
0:14 Safest seat on a plane
0:49 Uh, this is your captain speaking
1:30 How can birds bring down a plane?
3:30 When do accidents occur?
4:31 Accident investigation reports
5:35 Malaysia airlines flight 370
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8:32 “I was intoxicated. I drank all of those days. I drank—in excess.”
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Director: Anna O’Donohue
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Editor: Richard Trammell
Expert: Gregory Feith
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Associate Producer: Jasmine Breinburg; Brandon White
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Casting Producer: Nicholas Sawyer
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Sound Mixer: Sean Paulsen
Production Assistant: Ryan Coppola
Post Production Supervisor: Christian Olguin
Post Production Coordinator: Ian Bryant
Supervising Editor: Doug Larsen
Additional Editor: Jason Malizia
Assistant Editor: Andy Morell

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